As I do at the end of every year, I send out a communication that answers the most frequent questions I received during
the year. I believe it helps my clients and potential clients to get a better knowledge and understanding of me and often
answers a question or two that someone had in their own mind. Here then is the FAQ sheet for 2008.
Although I consider your fees no small amount, you are much cheaper than other ghostwriter sites
I visited. Why?
There are many reasons. First: I live in Central Illinois which has a moderate financial climate. As an example, you
can rent a nice apartment for under $400. a month and I and my wife can get a fine restaurant meal for $30.00 or less. Although
I don’t drink, the local watering hole has $1.00 drafts and $1.50 glasses of wine. I assume you get the drift.
I intend
to move back to Chicago in a few years and when I do, my rates will go up significantly.
I am
not a “pure” ghostwriter, meaning I expect you as a prospective author to actually author your work and then I
will help you make it as good as possible.
I also charge less than other writers because I don’t have an ego that considers being able to write well the
same as being a brain surgeon. Sorry but I had to put that shot in there.
You are listed under ghostwriter but then you tell me you are not a ghostwriter? I’m confused
by the terminology.
Often times, so am
I. The word ghostwriter in its primary definition is someone who writes a book for another person but receives no credit save
a fee. For the most part I find a pure ghost and the “fake” author as one of the problems with the book industry
right now. The shelves are filled with books by celebrities who did nothing more than have a publicist write a book and then
the celebrity said change this and this and then send it out. In effect a pure ghost situation is like being on American Idol
and only lip-singing as someone else behind the curtain sings the song.
Often times you will
see a book by someone famous and the cover includes “with” so and so. This co-author is probably the person who
actually wrote the book and the author noted might have just sat and talked with the real writer to get the story told.
The problem with a
pure ghostwriter is the question to be raised of who really wrote the book. A person who wants to be an author but can’t
write seems like a disingenuous thing to me. A pure ghost also will spends tons of hours on the work and thus will have to
charge a huge fee to capture his time…and still in the case of a true story, won’t be able to get into the original
person’s thoughts.
I act as a ghost/coach
rather than a pure ghost. In effect you write the book and I edit, ask questions, point out where the story goes off track
or needs enhancement and I add where I feel expansion is needed using words you normally would use yourself. This allows you
to work most of the time rather than me and greatly lowers your costs. When all is said and done, you can also look someone
in the eye and tell them you wrote a book.
Do you work with all genre's of books?
No I do not. Like everyone I have passions and preferences and I work with authors of memoirs, true life
stories, historical works including businesses, churches and the histories of organizations. I also work with humorists and
don't mind a murder mystery from time to time. I do not work with authors of science fiction or fantasy, children's books,
graphic novels, romance, or short story fictional anthologies or screenplays. There is nothing wrong with these genre's of
course. They just aren't my cup of tea and your work deserves someone who will do their best with your manuscript. An editor
has to become involved in the story as much as the writer and if the story doesn't interest them, I don't see how they can
do the best job.
Sometimes you get right back to me and other times not till the next
day. Sometimes it’s very early or late at night on a weekend. What are your office hours?
I live in a
three story Victorian home and have a second floor loft that is my office. That means I might answer you immediately or on
a Sunday night or whenever I decide to check my mail. The office lies between the refrigerator and the television room so
often I stop for a minute to check mail. I had the office and the ensuing expenses which I had to pass on so this arrangement
saves all of us more money in the long run.
Sometimes during my surfing I see your site listed and then its gone and then it appears again.
What gives with that?
I use pay per
click advertising and it is an excellent means of controlling my work load. When I feel I have as much on the platter as I
can do a good job with, I cancel my ads temporarily to avoid spending money for clients I have to put off for a while. Most
of you new writers are in a hurry you know and it is easier to only advertise when I can give you the immediate time you require.
Why don’t you offer clients the ability to talk to you by phone?
I do to a small degree
but only established clients and only when E-mail won’t handle a situation. I found out early, a constantly ringing
phone with people trying to talk me into writing an entire book for free with royalties if and when the book becomes a best
seller had become too tedious. With a newspaper column and radio show, the amount of calls I received just locally were bogging
down my writing time so I use E-mail to control when I communicate with someone. I also refuse to be interrupted when I am
working on someone’s masterpiece so E-mail is the way I go.
I have been
blessed with a plethora of clients and using E-mail also allows me to have printed records of discussions regarding manuscript
preparation. With a phone call I could forget something important. Having a printed record keeps that from happening.
How does this all work?
Basically, the
first thing is I need to see a small portion of your writing. I won’t take any money from someone who I don’t
think has a chance to become an author. I also exchange thoughts and some of my work so that you can get a feel for me and
we can determine if we are a fit for each other. If we are going to work together, we need that solid belief in each other
or there won’t be a quality end product.
I then ask for
a small down payment, usually three hundred and fifty dollars plus a section of your manuscript and I make changes,
correct grammar and ask questions or make recommendations where I think your work needs further concentration. I then send
the work back to you and you can see my changes and recommendations and then we move on to the next section.
As we go on, I
then ask for further monies for work already done and this continues until the manuscript has been completely gone through…and
then we do it all over again to make sure it is as good as it can be.
How do I trust you or any stranger?
The same way I
have to get to trust you, via communication until we are comfortable with each other. I don’t ask for a large down payment
so that helps and after we get started, I don’t ask for further funds until I have returned completed work so at first
you have to trust me and then later, I have to trust you.
I also have clients,
who have no problem with other people knowing I helped them with their books and I will give you their contact info so you
can ask them about me. I only do this when I feel we are about to become partners because I don’t want my clients swamped
with E-mails from people who I might not be interested in working with.
I am reluctant to show anyone parts
of my manuscript because I am afraid you or someone else might steal it.
Believe it or not
most problems come with disputes over cash (although I have never had a complaint) rather than manuscripts. If you have a
true story no one will be able to know the entire story from just a section of your work. In the event it is fiction, no one
will know the story since it is in your head. Look up stolen work on your search engine and you will find few instances where
someone purloined another’s idea and ran away with it.
Personally, I have
enough of my own ideas for future books. I have seven varied manuscripts started, so I don’t need anyone else’s
ideas. You have to also realize that you will need to send sections of your work out with your queries to agents so strangers
will see your work
Do you have a contract I could see?
Yes, I do but that
is a final step. There is no need for us to agree upon terms if I don’t think I can help you or you don’t think
I can help you. After discussions, I will let you know how much per word I will charge and give you a final total cost based
on word count or projected word count.
I can tell you
the contract gives all rights to your work in any way shape or form to you with no further rights to me outside of the initially
agreed upon cost of coaching you.
What type of books has the best chance
on the market today?
True life stories
are always solidly on the bestseller lists as are good murder mysteries, how-to books and don’t laugh but cookbooks
are always out there on the shelves.
Right now, due
to the Lord of the Rings success and Harry Potter, fantasy or science fiction books heavy on fantasy are the least likely
to be looked at. Publishers all say they are swamped with unsolicited works from new authors determined to be the next J.
K. Rowling. I see a lot of agencies have changed their queries to state if your work is fantasy to please don’t bother
them.
By the way, if
your work is a cookbook, I’m not the guy for you.
Many of your internet articles seem a bit zany. Are you a humorist or a serious writer?
Both I would
hope. In my columns and on the radio I deal with dirty politics and crooked companies and injustices all the time. Many of
my writing assignments for you folks also have a very serious nature and my going “funny” is my way of discarding
all the angst that builds up in me when I feel like all I am writing about makes me want to become an anarchist. Going the
exact opposite way with my writing from time to time helps keep me from blowing a fuse.
Do you recommend I wait until I am finished with my book or do you prefer working on the book as
I complete a section?
Actually, although
entire manuscripts are easier on me, Working as we go along can be much easier on the new author. I can notice bad habits
and can relay this information to you before an entire book is filled with the same bad habit. I also can give direction through
questions, comments and advice that might make your book writing easier. The final point is if I see you haven’t got
something, I can tell you sooner to stop spending money and your time until you become more proficient with your writing.
Your book has to be great or nothing will be accomplished by either of us working so hard. Many new authors are on a budget
so piece by piece also helps with finances.
Why should I use you when other publishers already tell me they want my book without my spending
any money with you?
I wish I had the exact
number but I will wager there are more than 50 vanity publishing companies that will tell you your book is great and send
them a couple grand and it will be printed ( grammar mistakes and all) and listed on Amazon.com. Like I have mentioned in
past letters to clients, most of these companies are only concerned with making money off of your dream and have no means
to get your book recognized in the mainstream book world. Currently vanity publishing houses send out over 50 books a day
to print-on-demand printing companies that print only one copy of each book. The average for individual book sales by these
companies is less than 100 copies sold per title and most of those numbers are to your friends and acquaintances which you
could have done yourself without spending any money.
The main "selling
point" of these companies is that they get your book listed on Amazon.com or other on-line booksellers but that in itself
is actually worthless. Ask yourself this question, "Today a new author whose name you don't know wrote a book about something
and you don't know what the title is." Now try and find that book on amazon.com. A great many of my clients are writers
who have been "boondoggled by vanity publishers" and now realize the reason their book wasn't accepted by a true agent and
publisher is because it wasn't ready yet. My job is to help you get that manuscript ready for the real world, not the world
of false hopes and unfulfilled dreams.
Now in many
cases such as memoirs for family or business histories needing only limited numbers of books printed, I use a print-on-demand
company but I use one that only charges for printing the book without any other fees charged.
My goal is to
get your book to the stage that it is a well-written quality story that has a good chance to grab a “real” agent/publishers
attention.
Sometimes printing
up a few books and using them as marketing tools can be a way to catch the attention of a major book reviewer or agent or
publisher. As your book gets near completion, we will talk about this.
Do you have a specialty field?
I do and it
is true stories. Now they can be happy or sad or be a tale about something that has gone horribly wrong in your life or wonderfully
right. My background as a columnist allows me to analyze your words to make the story solid with strong flow. I do a lot of
“business histories” work as that is fairly simple and easy and helps pay a few bills. I am not fond of explicit
romance, or “shock” value stories and if you are writing a “heavy” science fiction or fantasy story
with complex plots and names of people no one can pronounce I wouldn’t be your guy.
I also don't
do resume's or term papers for students who like to cheat their way through an education. I'm not a fan of "sales pitch" E-books
or writing for websites that just want words pounded out so that they can have more Adsense ads included in their sites. I
don't accept screenplay work right now because the chances of a new author getting a screenplay accepted are so low that I
would feel like I was stealing your money.
Do you travel?
Frequently,
but only in the Central Illinois area. The costs of my travel just wouldn’t add up for a client. I do have many clients
within the area and in those cases face to face makes sense. My being out and about is another reason why I might not get
back to you during what most people would consider normal office hours. I do have help in the summer to answer inquiries and
help with the logistics of many clients requiring consideration since that is when I do most of my traveling but I never ever
let anyone except myself do any of the writing.
As a new author how much should I expect to make on my book?
You should expect
nothing but attempt to become independently wealthy. A writer should get joy and satisfaction out of just one person being
moved or inspired by your words. That altruistic notion however never paid a bill. When your book is done, we will go over
all the options including sending inquiries to major agents, publishing small numbers of copies for marketing and determining
what niche your book falls into.
As an example
a book that might be a significant source of fundraising for an agency might mean large numbers of books can be sold by you
personally without ever needing the “blessing” of a major publisher. Niche books can also be sold in huge numbers
to agencies and people who can directly relate to your words without anyone in the mainstream book world even knowing you
exist. Obtaining a grant that allows a book to be given out free of charge might also be the best way to go. All of these
plans work as I have seen the results myself. Getting books out in the public also allows the opportunity of someone in the
big houses to take notice of your work and then you won’t need me anymore. Well, not until it’s time for the sequel.
How do you pronounce your last name?
That’s
easy. It rhymes with sack or jack. You wouldn’t think a three letter last name could be so hard but over the years I
have heard all kinds of pronunciations. It is Croatian by the way. My grandfather came from the Carpathian Mountain Region
in an area known as Transylvania. No jokes please.
Who is your agent?
I don’t
have one. Gatehouse Media and the K and G Radio Group don’t require me to have one so I don’t. My previous books
were all about the region where I work and would not have had a national interest so I simply had a few thousand books printed
up, sold them and kept the profit without needing anyone but myself and the printing company involved. My latest book, “Portions
of a Life” is different and I might take that mainstream besides the national and international on-line booksellers
someday. Since it is a PG book about family and feelings it has become a hit with not-for-profits trying to sell something
besides refrigerator magnets and over priced cans of peanuts, so right now I will let this source of profit run its course
before I decide to try 57th street in New York. (That’s where most literary agents have offices)
Strangest inquiries of the year.
An Asian man
in Indochina asked me to re-write his almost unintelligible resume to prove to a potential American employer that he was proficient
in English. Of course my doing the resume wouldn’t make the gentleman proficient in anything so I begged off.
A college student
asked if I could do a twenty-page five-reference term paper for his college course. I told him only if I could also take his
diploma since I and not he would be earning it.
I had a young
man who had a real good idea for a series of nine books of perhaps 400 to 500 pages each and he wanted to tell me the story
so I could write the books for him. He offered to give me a piece of the pie when they went national. I advised that if I
ended up writing 4500 pages I would want the whole pie…with ice cream.
One of my more
engaging website clients asked if I was O.J. Simpson’s ghostwriter.
I replied no and that
I thought it was Judge Lance Ito. I was Andrew Jackson’s ghost however since the man had many great ideas but couldn’t
write worth a lick.
Got a question
to add? Just send me an E-mail and ask it. I enjoy chatting with aspiring writers
and authors.